INT. THE HOUSE. BEDROOM. DAY J. 16:42.
Annie
looks out of the bedroom window at the street below.
George
and Mitchell are just arriving, bags in hand. George
looks
up at the house, looks at Annie.
ANNIE (V.O.)
These flotsam and jetsam of
death.
He
double-takes. Did he see something?
It
makes Annie flinch and move back out of sight. She
frowns.
That was weird.
14
INT. THE HOUSE. KITCHEN. DAY K.
12:32. 14
George
and Mitchell are in the kitchen. Talking, laughing.
George
washes up. Mitchell, bored, flicks bubbles at him.
George
tries to keep his cool, tries not to laugh. Don’t do
that.
I said don’t do that. Stop. Please stop. I mean it.
ANNIE (V.O.)
Maybe, if they still deserve such
a thing as mercy...
Annie
watches them, through the crack in the door.
Frightened.
Mesmerised.
ANNIE (V.O.) (CONT’D)
... they find each other.
She
just watches. And watches.
AND
WE FADE TO:
BLACK.
Then
a sound. The put-put of a moped. A squeak of brakes.
16
EXT. STREET. AFTERNOON 1.
15:01. 16
A
pizza delivery guy, 17 maybe, climbs off his moped,
trudges
to a door and rings the bell. It flies open.
There’s
Annie. Beaming.
ANNIE
Hello!
PIZZA GUY
12 inch ‘Mess of Meats’?
Mitchell
appears, scoops the pizza out of his hands, stuffs
some money into his
fist and disappears again.
Example 2
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